Monthly Archives: December, 2015

A Travel Funny for Today

I'm Already Falling Behind

 

I got this from a Facebook post and don’t know if any of it is true but these are sure funny 🙂

UPDATE:  A bit more digging reveals the source is http://www.wanderlust.co.uk/magazine/news/20-astonishing-holiday-complaints-thomas-cook-abta

 

THESE ARE ACTUAL COMPLAINTS RECEIVED BY “THOMAS COOK VACATIONS” FROM DISSATISFIED CUSTOMERS:

 

1. “I think it should be explained in the brochure that the local store does not sell proper biscuits like custard creams or ginger nuts.”

2. “It’s lazy of the local shopkeepers to close in the afternoons. I often needed to buy things during ‘siesta’ time – this should be banned.”

3. “On my holiday to Goa in India, I was disgusted to find that almost every restaurant served curry. I don’t like spicy food at all.”

4. “We booked an excursion to a water park but no-one told us we had to bring our swimming costumes and towels.”

5. A tourist at a top African Game Lodge over looking a water hole, who spotted a visibly aroused elephant, complained that the sight of this rampant beast ruined his honeymoon by making him feel “inadequate”.

6. A woman threatened to call police after claiming that she’d been locked in by staff. When in fact, she had mistaken the “do not disturb” sign on the back of the door as a warning to remain in the room.

7. “The beach was too sandy.”

8. “We found the sand was not like the sand in the brochure.Your brochure shows the sand as yellow but it was white.”

9. A guest at a Novotel in Australia complained his soup was too thick and strong. He was inadvertently slurping the gravy at the time.

10. “Topless sunbathing on the beach should be banned. The holiday was ruined as my husband spent all day looking at other women.”

11. “We bought ‘Ray-Ban’ sunglasses for five Euros from a street trader, only to find out they were fake.”

12. “No-one told us there would be fish in the sea. The children were startled.”

13. “It took us nine hours to fly home from Jamaica to England it only took the Americans three hours to get home.”

14. “I compared the size of our one-bedroom apartment to our friends’ three-bedroom apartment and ours was significantly smaller..”

15. “The brochure stated: ‘No hairdressers at the accommodation’. We’re trainee hairdressers – will we be OK staying there?”

16. “There are too many Spanish people. The receptionist speaks Spanish. The food is Spanish. Too many foreigners now live abroad.”

17. “We had to queue outside with no air conditioning.”

18. “It is your duty as a tour operator to advise us of noisy or unruly guests before we travel.”

19. “I was bitten by a mosquito, no-one said they could bite.”

20. “My fiancĂ© and I booked a twin-bedded room but we were placed in a double-bedded room. We now hold you responsible for the fact that I find myself pregnant. This would not have happened if you had put us in the room that we booked.”

 

Travel editor Peter Greenberg solves traveler disputes and offers tips on how to travel smartly this holiday season.

Carnegie Hall

carnegie-hall

You’ve all heard it before.  How do you get to Carnegie Hall?  Practice, practice, practice.

We took the easier route with the tour December 1, 2014.  Unfortunately, I wasn’t posting much in this blog yet so I don’t remember everything that happened.  I do highly recommend the tour if you’re in New York City.

If you want to go, other than  practicing, Carnegie Hall  is a concert venue in Midtown Manhattan located at 881 Seventh Avenue, occupying the east stretch of Seventh Avenue between West 56th Street and West 57th Street, two blocks south of Central Park.

carnegie-hall-map

The tour was very inexpensive, maybe $10 each.  We were taken by elevator up to the Main Hall (Isaac Stern Auditorium/Ronald O. Perelman Stage) first.  The stories that were told were fascinating!  I don’t remember most but I remember the guide telling us that after renovations audience members complained of a buzzing sound.  The floor had to be removed…

From 1995:

SOURCE OF CARNEGIE HALL COMPLAINTS DISCOVERED: CONCRETE UNDER STAGE
MARY CAMPBELL , Associated Press
Sep. 13, 1995 11:53 PM ET

NEW YORK (AP) _ For nine years, the people who run Carnegie Hall insisted there was nothing wrong with the acoustics at the famed concert hall.

Wednesday, they sang a different tune

This summer, a layer of concrete, apparently left over from a major renovation job in 1986, was discovered under the stage. The concrete was ripped out and a new floor was installed that administrators say should improve acoustics.
Since the renovation, musicians and critics have complained about the acoustics, saying the sound the hall was world famous for wasn’t the same, that the bass had become washed out and the higher instruments harsh.

Executive Director Judith Arron said Wednesday she had been assured there was no concrete under the stage since arriving at the hall in 1986.

But the tongue-in-groove maple stage floor, which usually lasts 20 years, had warped so badly after just nine years, it was difficult to push a piano across it.

The hall closed for repairs after three Frank Sinatra tribute concerts the last week in July. “As we tore the whole floor up,” Arron said, “we learned we had a lot more hard substance than we had anticipated.”

She speculated the concrete was added to reinforce the stage while scaffolding was on it during the 1986 renovation and then simply left there in workers’ haste to finish.

The concrete had been placed under two layers of plywood, on which the maple stage floor rests.

“Concrete retains moisture,” Arron said. “As the moisture collected in the concrete, it went into the plywood, which expands with moisture and pushed up the floor.”

Jim Nomikos, the hall’s director of operations, compared the removal of hundreds of pounds of concrete to “an archeological dig.”

Nomikos said the floor is now constructed the way it was from Carnegie Hall’s opening in 1891 until 1986.

“In my opinion we’re not reconstructing the floor. We just restored it,” he said. “I think what we have now is a floor that will have some resonance, as opposed to a floor that was dead.”

The project cost $180,000.

Aaron said there are no plans to sue anybody for the way the floor was laid in 1986. “We’ve been focused on doing the job right,” she said. “We think this is going to be great.”

The new floor will meet its first test Sept. 26, when the Philadelphia Orchestra plays. The hall’s official gala opening for its 105th season will be Oct. 5 by the Boston Symphony.

I remember the guide not being happy with us because I knew the answers to some of the questions she asked such as Tchaikovsky conducting at the opening.  When she mentioned that Ignacy Jan Paderewski had made his debut there,  Tom piped up that he had lived near Steinway Hall (and that Michael and I had just played there in the final concert in the old building).  She gave us the evil eye and we stopped talking so much 🙂

padereski-me

Plaque on Steinwall Hall (old building). This was just after Michael and I played there.

Paderewski

Plaque on Steinwall Hall (old building).

There were many, many pictures on the walls of people who had performed there.  All in all, a fantastic tour.  Take it if you’re in NYC!

1891 Andrew Carnegie’s new Music Hall opened

Andrew Carnegie’s new Music Hall opened with a five-day music festival beginning on May 5.

Guest of honor Pyotr Ilyich Tchaikovsky conducted his Marche Solennelle on Opening Night and his Piano Concerto No. 1 several days later.

William Tuthill’s design reflects Gilded Age architectural tastes and engineering.  Since the Hall was built shortly before the advent of structural steel construction, its walls are made of fairly heavy brick and masonry, to carry the full load of the structure without the lighter support that a steel framework soon made possible. The Italian Renaissance design of the exterior reflects the eclectic architectural tastes of the period, which look to European models of earlier centuries for inspiration.  Tuthill deliberately chose to keep the styling and decorative elements simple, elegant, and functional, focusing his energies on designing an excellent acoustic environment.

I came across this interesting 1947 movie about Carnegie Hall for my Music Studio Blog and I’m posting it here, as well.

Jascha Heifetz (violinist) Tchaikovsky – “Violin Concerto in D, First Movement” – New York Philharmonic, Fritz Reiner, conductor
Harry James (trumpeter)
Vaughn Monroe (band leader)
Jan Peerce (vocalist)
Gregor Piatigorsky (cellist)
Ezio Pinza (vocalist)
Lily Pons (vocalist)
Fritz Reiner (conductor)
Artur Rodzinski (conductor)
Arthur Rubinstein (pianist)
Rise Stevens (vocalist)
Leopold Stokowski (conductor)
Bruno Walter (conductor)
Walter Damrosch (conductor)
Olin Downes (music critic)
New York Philharmonic Quintette (John Corigliano Sr., William Lincer, Nadia Reisenberg, Leonard Rose, Michael Rosenker)
New York Philharmonic

Storyline:
A mother (Marsha Hunt) wants her son (William Prince) to grow up to be a pianist good enough to play at Carnegie Hall but, when grown, the son prefers to play with Vaughan Monroe’s orchestra. But Mama’s wishes prevail and the son appears at Carnegie Hall as the composer-conductor-pianist of a modern horn concerto, with Harry James as the soloist. Frank McHugh is along as a Carnegie Hall porter and doorman, and Martha O’Driscoll is a singer who provides the love interest for Prince. Meanwhile and between while a brigade of classical music names from the 1940’s (and earlier and later) appear; the conductors Walter Damrosch, Bruno Walter, Artur Rodzinski, Fritz Reiner and Leopold Stokowski; singers Rise Stevens, Lily Pons, Jan Peerce and Ezio Pinza, plus pianist Arthur Rubinstein, cellist Gregor Piatigorsky and violinist Jascha Heifetz.